Why Digital Photography?

Digital photography is quickly becoming the preferred way to take pictures.   If you are in the market for a new camera, consider the following advantages of digital over traditional film photography.

In the long run, digital is less expensive.  All photos are recorder are on memory device within the camera and then downloaded straight to your computer.  You skip the need to keep buying rolls of film and paying for developing. You can send unlimited copies of the same picture to friends and relatives without spending a penny extra.

You see your pictures quicker.  Most digital cameras allow you to view your photos immediately.  There is no waiting and worrying about whether or not that “perfect shot” turned out.  You can take a picture of that new baby and immediately download it to your computer to share your good good news with friends and relatives. There’s no need for anxious grandparents to wait days or even weeks for a picture.

Most digital cameras have built in editing features.   Cropping and re-centering the picture to make it look its best can be done easily.  You no longer have to worry about a stray hand distracting from the main subject of your photo.  Sharpening can be done immediately to bring out the details.  Within minutes you can have a print-perfect photo.

You avoid the frustration of running out of film and having to find a store that is open in the middle of an important event or on vacation.  Depending on the size of your memory card and the setting of file size and quality, which you often control, you can store a couple hundred pictures on one tiny card.  That is the equivalent of nine or ten rolls of film.

These are just a few of the advantages of digital photography.  It is definitely worth considering as you search for your next new camera.

Digital Camera and DSLR Focus Modes

While some of the least expensive digital cameras have only automatic focus, meaning the camera does all the work on bringing your subject into the best possible focus, most SLR digitals offer three different focus modes: manual, single auto focus and continuous auto focus. All three of these will be addressed here.

With manual focus, the camera stays out of the focus equation and you, the photographer, make all the decisions regarding this. This is done by setting different buttons or actually using an attached focusing ring that rotates on the camera lens. For those who like to have complete creative control of the finished product, this is the best focus mode.

In single auto focus mode, the camera automatically focuses when you press the shutter button either all the way down to shoot a photo or half way down to lock the focus. This mode is useful when shooting static objects.

In continuous auto focus the camera continuously focuses on the objects in the photo. In this mode the camera continuously corrects the focus as the objects distance from the camera changes. This mode is useful when you shoot photos of moving objects such as a race car during a race or airplanes during an air show. You can hold the shutter button half way down and continuously move the camera to follow the object. The camera will continuously keep the object in focus.

Like any other feature automatic and manual focus modes have their pros and cons. The first step to using them to your advantage is to understand how they work and what they were designed for. The next step is to experiment shoot photos using different focus modes and different types of objects and see how the camera behaves. Once you have done that you will be ready to instinctively use the best focus mode for each photo situation.

The absolute best photos requires using the correct focus mode.

Your Nikon Digital Camera Owner’s Manual

All cameras come with an owners manual, but so few people take the time to read it. Once they get past the basic operations, they get anxious to go out and try the camera. Maybe all the new terms are confusing or there seems like too much information to digest. This is understandable, but by not reading the entire manual, you limit yourself and many cool features of your camera are never used. Hopefully you will find the following suggestions helpful in getting the most from your digital camera.

After your first overview of the features your camera possesses, decide what you would like to explore the most. Pick only one special feature. Read the instructions on what this feature can do and how to use it. Don’t worry if it isn’t completely clear, that will come in time.

Now the fun part. Take your camera and start using this special feature. Try all the different settings within this one feature. See how your pictures change. Explore what this feature does. Don’t stop until you know this feature inside and out and don’t go onto the next feature until you have fully explored this one.

When you are satisfied you know the ins and outs of one special feature, return to the owner’s manual and pick another special feature you would like to learn. Repeat the above process with this feature, only returning to the manual when you are satisfied you have mastered the new skill.

By working through the owner’s manual in this way, you will find it isn’t so overwhelming. The hands-on practice of each skill will help you learn it thoroughly. When you have covered all the cool things your camera will do, go out and enjoy them all. You will be glad you took the time to become friends with this wonderful creation.

How Many MegaPixels Do I Need?

One of the most confusing and often asked questions in choosing a digital camera is deciding how many megapixels you should look for.  The answer squarely depends on what you plan on doing with the finished pictures.

First, let’s define what a pixel is.  In terms of digital prints, a pixel simply means a dot of color that makes up the digital image.  A megapixel is equal to one million pixels.  The more megapixels a camera has, the greater the amount of information it records. 

The easiest way to decide what to look for is to know what size prints you are likely to print from your camera.  A one megapixel camera is fine for those who don’t plan on printing photos but rather just post them on the internet.  A small print, say 4 x 6, will print acceptably from this camera.

A 2 megapixel camera will enable you to produce good quality 5 x 7 prints and fair quality 8 x 10 prints.  When you reach 4 megapixels you can print out excellent quality 8 x 10 prints and acceptable 11 x 17 prints and a 5 megapixel camera will allow you to print out high quality 11 x 17 prints.

Most families find a camera in the 3.2 Mega-pixel range to be the best choice.  The quality of both 5 x & and 8 X 10 prints is very good yet the files on your computer are not so large you need worry about not having enough space.

Any camera over 5 megapixels is unnecessary for all but professionals in photography; even then, only those who have need for poster-size prints find that many mega-pixels worth the money.  Most freelance photographers find 4 or 5 megapixels to be sufficient for excellent-quality prints.

The choice is yours.  Look to what you plan on doing with your photos and then decide.  In most cases spending the money for increased optical zoom and lower megapixels is the best choice.

Nikon Capture NX 2 Software

Nikon’s Capture NX 2 software is a full-featured, nondestructive photo-editing program that gives photographers all the tools they need to quickly and easily edit their photographs.

Seriously, if there was ever such a thing as a true “Digital Darkroom”, Nikon’s Capture NX2 is it.

Also available in a reduced-price upgrade version (requires a valid serial number from v1.x), the software offers such editing features as color control points, selection control points, an auto-retouch brush, and shadow/highlight adjustment.

Enhancing the hue, brightness, and saturation of an image is as simple as placing a color control point on your image, then adjusting the length of the sliders. For example, color control points are a remarkably convenient way to change the color of flowers to look better against green surrounding foliage. As an alternative, editors can take a dull gray sky and add blue to change the mood of a captured scene. The selection control points, meanwhile, let you selectively edit photographs without manually outlining or masking the area for editing. Simply place a selection control point anywhere on the photograph, and then choose from almost any adjustment, including D-Lighting, Unsharp Mask, or Noise Reduction, while limiting the ‘reach” of that adjustment to just the selected area.

Capture NX 2 also adds an automatic retouch tool to its image editing toolbox, allowing users to seamlessly remove blemishes, dust, and other distracting elements from photographs while maintaining the integrity of the image. And thanks to the shadow/highlight adjustment, you can easily open up shadows or recover blown-out highlights. Highlight recovery is most effective for RAW (NEF) files; however, it will work with JPEG and TIFF files as well.

The software’s redesigned v2 interface includes such features as customized workspaces, an improved toolbar function and layout, improved edit list functionality, a redesigned image browser with a favorites folder, and improved image resolution adjustments. The software’s holdover features from v1.x range include black/white/neutral control points, color management control, color aberration control, distortion control, a color booster, contrast/brightness adjustment, a saturation/warmth adjustment, black-and-white conversion, straighten and crop tools, and much more.

Finally, Capture NX 2 features award-winning U Point technology for precision selection and application of enhancements without complicated selections or layer masks. Designed to closely match the way photographers work with their images, Capture NX2 is easy to learn and creates the highest-quality results. Note that the software fully integrated with all Nikon software, including Camera Control Pro 2, Image Authentication Software, Transfer, and ViewNX.

Learn More About Nikon Capture NX 2 Software

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